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NAB 2024: Blackmagic Design Talks URSA Cine 12K, DaVinci Resolve 19, Constellation 4K Switchers and More

Blackmagic销售运营设计总监Bob Caniglia讨论了Blackmagic新URSA Cine 12K的主要功能, DaVinci Resolve 19, 4K switchers, 在NAB 2024的Blackmagic设计展台上,流媒体的马克·富兰克林接受了更多采访.

Blackmagic Design Director of Sales Operations Bob Caniglia discusses key features of Blackmagic Design's new URSA Cine 12K, DaVinci Resolve 19, 4K switchers, and more in this interview with Streaming Media's Marc Franklin from the Blackmagic Design booth at NAB 2024.

Marc Franklin: 流媒体杂志现在在Blackjmagic Design的展台,我们有很多新的和令人兴奋的公告,为今年的NAB. 今天我请来了销售运营总监Bob Caniglia,他将为我们讲述这一切.

Bob Caniglia: We have some new announcements in the cameras. We have a new URSACine 12K camera. 它有一个新的机身设计,以及一个新的传感器,我们正在使用. It features 16 stops of dynamic range. It has multiple lens mounts. You can have an EF, PL, or LPL mount. 我们甚至有一个新的媒体模块,我们用它来记录我们自己制作的东西,因为它有8TB的存储空间, so it can record four hours of 12K. So it's really very dense. 我们有以太网端口以及Wi-Fi或USB-C连接,以便通过黑魔法云服务从相机传输数据. 这样,你就可以使用10g以太网来连接媒体了. 这是我们最大的相机,就传感器尺寸和其他东西而言. 我们甚至还展示了一款新相机,它将在晚些时候推出,希望能在今年年底推出, which is a 17K 65 millimeter.

因此,我们明确表示,我们希望在高端电影世界站稳脚跟. And in addition to that camera, we also introduced our new PYXIS 6K camera, which is a box camera with a 6K full-frame sensor. 这些都是大尺寸的传感器,行李箱摄像头显然可以按照人们想要的方式安装. We even have an optional rosette to put on one side of it. It has a monitor there, so you can go through the menus, you can use it as a confidence monitor or camera system, those kind of things. 该相机将有三种不同的安装:EF, PL和L安装.

Marc Franklin: 现在有了8tb的媒体,就像一个外置闪存驱动器一样?

Bob Caniglia: 对,这是一个自定义模块,上面有数据,它可以自己拉进和拉出摄像头. 然后我们有一个新的媒体坞,你可以用它来安装到你的系统上.

Marc Franklin: 你需要基座才能工作,还是你也可以像USB-C一样连接它?

Bob Caniglia: 你要么使用基座本身,要么直接使用摄像头. You could connect through the 10 gig.

Marc Franklin: 所以你所需要的只是一根以太网电缆,你可以直接在它上面录音.

Bob Caniglia: 所以你可以用以太网线从摄像头里提取数据.

Marc Franklin: Okay, so it can't record to it, but you can transfer to it.

Bob Caniglia: Correct. You transfer the data. But also you can use the Wi-Fi connection to move files, 因为它可以在两台新相机上同时录制黑魔法RAW格式,

Marc Franklin: 你们的旧相机有类似的功能更新吗?

Bob Caniglia: 我们最近启用了Pocket Cinema Cameras以及新的Cinema 6K型号, 哪一款手持型号的6K传感器能够进行代理和Blackmagic RAW录制,并能够使用Pocket相机作为网络摄像头. So you can take the SPC out and show us there's a webcam.

Marc Franklin: Outside the cameras, any other interesting things?

Bob Caniglia: 达芬奇决断19有许多新功能,包括一些新的人工智能工具, 但我们也用它来回放ATEMs使用超级甲板和我们的云存储的组合. 所以它现在使用达芬奇解决软件来进行多镜头回放. So that was a big announcement there.

On the AI side, 我们有这个新的IntelliTrack AI,它实际上跨越了程序中的几个选项卡. So Fusion Fairlight audio and the Color page, obviously. 在Fairlight页面中,一个独特的新工具是通过平移声音. So if you have, say, a plane going across, 你可以跟踪飞机,它会自动平移音频来匹配. 这样你就不会让关键帧自动完成你可以花更多的时间去创造而不是制作关键帧. 所以这是人工智能很有帮助的设备之一,它加快了过程,这样你就可以花更多的时间做更有创意的事情.

Marc Franklin: Anything else as far as the Studio?

Bob Caniglia: In the ATEM area, for the live production switchers, we have the new ATEM 1 M/E and 2 M/E 4K Constellation 4Ks. 所以它们在输入和输出方面都是去年的高清版本,但现在是4K的. 我们还推出了一个ATEM微型面板,这是一个小型开关面板,与我们的大面板具有相同的按钮, 但它可以与我们的任何切换器一起工作,甚至是4 M/E切换器. And as I tell people, that is great for any of the small switchers, 所以你至少可以直接打孔,而不用使用软件. 但即使你在我们的机电开关上有一个更大的面板, you can still use the small ones, say maybe to switch monitors off of a different bus, things like that.

这是一个很酷的小面板(675美元),我认为人们真的会喜欢这个选择. It's very low profile, but we also have some new products, SMPTE 2110 products that the IP products are there. It's designed to sort of build out our ecosystem. We're using 10 gig ethernet to move 4K. 现在我们有了自己的符合2110标准的编解码器, 但我们将其开源,这样每个人都可以实现它. We have several products, 比如一个16输入的小型应用路由器,就像IP的视频路由器一样. 然后我们还有一些其他端到端产品,你可以把其中一个安装在电视后面,接收10g的信号,然后把它转换成HDMI. So you can run with just standard CAT6+. 这是一个很好的方式来移动图像到很长的距离,显然它会超过SDI.

Marc Franklin: Very interesting stuff as always. Does that cover it all or is there more?

Bob Caniglia: There's always more. 我要说的一件事是,在Cintel扫描仪中,我们有一个新的8毫米门,我们宣布了检查显示,现在它正式发布了. So that's pretty cool.

Marc Franklin: When you have the 17K camera out there, 你真的认为人们会有那么高分辨率的显示器吗, 或者你认为它只是为了裁剪,给你多摄像头的选择, like what we're doing with 4K and making it 1080?

Bob Caniglia: Right. 因此,17K真正发挥作用的地方是许多虚拟产品与LED屏幕, they're using very high-resolution images, so they'll use a 16K image out of that. So you'll have some framing for that. 但我认为这是65毫米手枪的优势之一, so if you want to do IMAX-type stuff, that's also where we can use it. 但人们肯定会过度调整,从而拥有重塑的能力. And that's just another example of where we'll be with that.

Marc Franklin: How many terabytes would it be per minute for the 17K?

Bob Caniglia: There'll be a calculator online like we have for the 12K. I don't know what the math is on that one yet.

Marc Franklin: What is it for the 12K?

Bob Caniglia: 8TB的模块可以录制4小时的4K视频,这已经很不错了. And there's all sliding scale calculus we have, depending on the resolution and what not, 它会根据设置准确地读出每小时多少tb,因为你仍然可以使用SSD驱动器在Cine 12K上录制.

Marc Franklin: That is it for Blackmagic Design at NAB 2024.

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